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    Home»Trending News»Demon Slayer: Infinity Castle opens to US$70m, biggest anime debut in North America
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    Demon Slayer: Infinity Castle opens to US$70m, biggest anime debut in North America

    The Daily FuseBy The Daily FuseSeptember 15, 2025No Comments3 Mins Read
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    Demon Slayer: Infinity Castle opens to USm, biggest anime debut in North America
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    Demon Slayer: Kimetsu No Yaiba – Infinity Citadel carved out a spot in North American field workplace historical past this weekend because the Japanese anime movie sliced straight to No 1 – outpacing the horror sequel The Conjuring: Final Rites.

    The Sony-owned Crunchyroll launch shattered expectations with a mighty US$70 million (S$89.8 million) debut in North America, based on Sunday (Sep 14) estimates from Comscore. That haul marks the most important home opening ever for an anime movie, surpassing Pokemon: The First Film, which opened with US$31 million in 1999.

    The movie prolonged its meteoric run, scoring the most important anime opening of all time with a US$132.1 million weekend, based on Comscore. Crunchyroll and Sony rolled it out throughout North America and 49 worldwide markets, pushing the worldwide whole to US$177.8 million.

    “This efficiency by this explicit movie reveals the unpredictability of the field workplace,” mentioned Paul Dergarabedian, the senior media analyst for Comscore. “If we have been sitting right here, let’s say a month and even a few weeks in the past, would we be considering, ‘Wow, a Japanese anime movie could be primary on the field workplace, overperform and usher in US$70 million?’ Should you predicted that, kudos to you.”

    The most recent film is the primary in a three-film trilogy that brings the hit Shonen saga to its climactic showdown. The story follows Tanjiro Kamado, a kind-hearted boy who takes up swordsmanship after his household is slaughtered and his sister, Nezuko, is changed into a demon. Collectively, they battle a supernatural underworld of monstrous foes whereas clinging to what’s left of their humanity.

    The Infinity Citadel opener hails from famend studio Ufotable, whose lavish visuals and breakneck battle sequences have helped make the franchise a worldwide sensation and juggernaut.

    The movie’s domination additionally factors to a September rebound after a sluggish August. Warner Bros’ The Conjuring: Final Rites, which opened to US$83 million final weekend, slipped to second with US$26 million.

    The horror sequel has now scared up US$131 million domestically.

    “This reveals that two months of down trending field workplace might be completely reversed over the course of a few weekends,” Dergarabedian mentioned.

    Focus Options’ Downton Abbey: The Grand Finale opened in third with US$18.1 million. Set within the Nineteen Thirties, the movie finds Girl Mary embroiled in a public scandal because the Crawleys confront monetary pressure and the looming menace of social shame. Whereas the aristocratic household adapts to vary, the family workers prepares for a brand new chapter with the following era main Downton into the longer term.

    In fourth place, Lionsgate’s The Lengthy Stroll debuted with US$11.5 million. It was directed by Francis Lawrence, the variation of Stephen King’s first-written novel is a thriller that asks a chilling query: “How far would you go to outlive?”

    Pixar’s Toy Story (thirtieth Anniversary) introduced Buzz, Woody and the gang again to the massive display screen, opening in fifth with US$3.5 million throughout 2,375 theaters. Warner Bros’ Weapons adopted in sixth with US$2.75 million, whereas Disney’s filmed musical Hamilton landed seventh with $2.2 million. Freakier Friday claimed eighth with US$2.1 million.

    Rounding out the highest 10: Spinal Faucet II: The Finish Continues bowed with US$1.6 million, narrowly edging The Sound of Music (sixtieth Anniversary), which sang up US$1.4 million.

    Dergarabedian mentioned he expects extra September good fortunes with the discharge of Jordan Peele’s horror movie Him subsequent week and Paul Thomas Anderson’s One Battle After One other popping out this month.

    “September, after a really modest month of August, is proving to be a completely improbable post-summer month for films and for audiences and for film theaters,” he mentioned.



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